| Date | Day | Time | Course unit / activity |
|---|
| September 2026 |
| 28 September | Monday | 10:30 | Performance Practice — session 1 — session content to be confirmed (Pedro Sousa Silva) · 1.8 |
| 28 September | Monday | 12:15 | Thematic History of Music in Portugal — session 1 — Introduction to the course unit (Eugénio Amorim) · 1.8 |
| 28 September | Monday | 15:15 | Reading and Interpretation of Sources — session 1 — General framework: what are sources (Pedro Sousa Silva) · 1.8 |
| 28 September | Monday | 17:00 | Compositional Practice — session 1 — Compositional Practice (Dimitrios Andrikopoulos) · 4.13 |
| 29 September | Tuesday | 10:00 | Musical Creation in Context — session 1 — Opening of the course unit (António Augusto Aguiar) · Sala Teresa Macedo |
| 29 September | Tuesday | 11:45 | Advanced Research in Music — session 1 — knowledge, epistemology, dominant paradigm (Rui Penha) · 88.3 |
| 29 September | Tuesday | 14:45 | Improvisational Practices — session 1 — session content to be confirmed (António Augusto Aguiar) · 4.13 |
| 29 September | Tuesday | 16:30 | Musical Project Management and Production — session 1 — Fundamentals of Management and Production / Interdisciplinary Studies (Pedro Sousa Silva and António Salgado) · 4.13 |
| 29 September | Tuesday | 18:30 | Music and Audiovisual Technologies — session 1 — Introduction (Marco Conceição) · Estúdio A |
| October 2026 |
| 12 October | Monday | 10:30 | Performance Practice — session 2 — session content to be confirmed (José Parra) · 210 |
| 12 October | Monday | 12:15 | Musical Creation in Context — session 2 — Context as a component of creation (António Augusto Aguiar) · 210 |
| 12 October | Monday | 15:15 | Musical Creation in Context — session 3 — Rehearsal as a space for research (Pedro Sousa Silva) · 1.8 |
| 12 October | Monday | 17:00 | Compositional Practice — session 2 — Compositional Practice (Dimitrios Andrikopoulos) · 4.13 |
| 13 October | Tuesday | 10:00 | Reading and Interpretation of Sources — session 2 — Organising materials (Pedro Sousa Silva) · 1.8 |
| 13 October | Tuesday | 11:45 | Advanced Research in Music — session 2 — a brief history of epistemology (Rui Penha) · 1.8 |
| 13 October | Tuesday | 14:45 | Improvisational Practices — session 2 — Counterpoint improvisation (Pedro Sousa Silva) · 4.13 |
| 13 October | Tuesday | 16:30 | Musical Project Management and Production — session 2 — Interdisciplinary Studies: practical examples across the categories (António Salgado) · 4.13 |
| 13 October | Tuesday | 18:30 | Music and Audiovisual Technologies — session 2 — Collaborative creation lab (Marco Conceição) · Estúdio A |
| 26 October | Monday | 10:30 | Performance Practice — session 3 — session content to be confirmed (Nuno Pinto) · 210 |
| 26 October | Monday | 12:15 | Thematic History of Music in Portugal — session 2 — Pedro de Freitas Branco: Noble et Sentimental (Cesário Costa, moderated by Eugénio Amorim) · 1.8 |
| 26 October | Monday | 15:15 | Thematic History of Music in Portugal — session 3 — Constança Capdeville: Intersections between Musicology and Performance (Helena Marinho, moderated by Ana Maria Liberal) · 1.8 |
| 26 October | Monday | 17:00 | Compositional Practice — session 3 — Rhythm and Indian Music (Nuno Lobo, moderated by Dimitrios Andrikopoulos) · 4.13 |
| 27 October | Tuesday | 10:00 | Musical Creation in Context — session 4 — Laboratory — designing a device from a context (António Augusto Aguiar) · 210 |
| 27 October | Tuesday | 11:45 | Reading and Interpretation of Sources — session 3 — Case study: The Rite of Spring (José Parra) · 1.8 |
| 27 October | Tuesday | 14:45 | Improvisational Practices — session 3 — Play, opening, form in motion (António Augusto Aguiar) · 4.13 |
| 27 October | Tuesday | 16:30 | Musical Project Management and Production — session 3 — Overview of arts funding support programmes (Pedro Sousa Silva) · 4.13 |
| 27 October | Tuesday | 18:30 | Music and Audiovisual Technologies — session 3 — Collaborative creation lab (Marco Conceição) · Estúdio A |
| November 2026 |
| 9 November | Monday | 10:30 | Thematic History of Music in Portugal — session 4 — Vicente Lusitano (Pedro Sousa Silva) |
| 9 November | Monday | 12:15 | Reading and Interpretation of Sources — session 4 — Introduction to critical editing (Hugo Soeiro Sanches) |
| 9 November | Monday | 15:15 | Reading and Interpretation of Sources — session 5 — Oral tradition sources (Eugénio Amorim) |
| 9 November | Monday | 17:00 | Compositional Practice — session 4 — Creation Laboratory (Dimitrios Andrikopoulos) |
| 10 November | Tuesday | 10:00 | Advanced Research in Music — session 3 — situated knowledge (Rui Penha) |
| 10 November | Tuesday | 11:45 | Performance Practice — session 4 — session content to be confirmed (Pedro Sousa Silva) |
| 10 November | Tuesday | 14:45 | Improvisational Practices — session 4 — Jazz (António Augusto Aguiar) |
| 10 November | Tuesday | 16:30 | Musical Project Management and Production — session 4 — Interdisciplinary Studies: practical examples across the categories (continued) (António Salgado) |
| 10 November | Tuesday | 18:30 | Music and Audiovisual Technologies — session 4 — Collaborative creation lab (Marco Conceição) |
| 23 November | Monday | 10:30 | Thematic History of Music in Portugal — session 5 — experimental music in 2026 (Rui Penha) · THSC |
| 23 November | Monday | 12:15 | Advanced Research in Music — session 4 — knowledge as self-knowledge (Rui Penha) |
| 23 November | Monday | 15:15 | Advanced Research in Music — session 5 — historical musicology (Pedro Sousa Silva) |
| 23 November | Monday | 17:00 | Compositional Practice — session 5 — Creation Laboratory: Thinking composition through cinema (Daniel Moreira) |
| 24 November | Tuesday | 10:00 | Musical Creation in Context — session 5 — From concept to artistic device (Dimitrios Andrikopoulos) |
| 24 November | Tuesday | 11:45 | Performance Practice — session 5 — session content to be confirmed (Eugénio Amorim) |
| 24 November | Tuesday | 14:45 | Improvisational Practices — session 5 — Soundpainting (António Augusto Aguiar) |
| 24 November | Tuesday | 16:30 | Musical Project Management and Production — session 5 — Collective writing exercise for a small-scale application (Pedro Sousa Silva) |
| 24 November | Tuesday | 18:30 | Music and Audiovisual Technologies — session 5 — Real-time spatialisation (Dimitrios Andrikopoulos) |
| December 2026 |
| 14 December | Monday | 10:30 | Musical Creation in Context — session 6 — Assessment (António Augusto Aguiar) |
| 14 December | Monday | 12:15 | Musical Creation in Context — session 7 — Assessment (António Augusto Aguiar) |
| 14 December | Monday | 15:15 | Reading and Interpretation of Sources — session 6 — Assessment (Pedro Sousa Silva) |
| 14 December | Monday | 17:00 | Reading and Interpretation of Sources — session 7 — Assessment (Pedro Sousa Silva) |
| 15 December | Tuesday | 10:00 | Thematic History of Music in Portugal — session 6 — Assessment (Eugénio Amorim) |
| 15 December | Tuesday | 11:45 | Thematic History of Music in Portugal — session 7 — Assessment (Eugénio Amorim) |
| 15 December | Tuesday | 14:45 | Advanced Research in Music — session 6 — Assessment (Rui Penha) |
| 15 December | Tuesday | 16:30 | Advanced Research in Music — session 7 — Assessment (Rui Penha) |
| 16 December | Wednesday | 10:00 | Performance Practice — session 6 — Assessment — Assessment (Pedro Sousa Silva) |
| 16 December | Wednesday | 11:45 | Performance Practice — session 7 — Assessment — Assessment (Pedro Sousa Silva) |
| 16 December | Wednesday | 14:45 | Improvisational Practices — session 6 — Assessment — Assessment (António Augusto Aguiar) |
| 16 December | Wednesday | 16:30 | Improvisational Practices — session 7 — Assessment — Assessment (António Augusto Aguiar) |
| 16 December | Wednesday | 18:30 | Music and Audiovisual Technologies — session 6 — Assessment — Assessment (Marco Conceição) |
| 17 December | Thursday | 10:00 | Compositional Practice — session 6 — Assessment — Assessment (Dimitrios Andrikopoulos) |
| 17 December | Thursday | 11:45 | Compositional Practice — session 7 — Assessment — Assessment (Dimitrios Andrikopoulos) |
| 17 December | Thursday | 14:45 | Musical Project Management and Production — session 6 — Assessment — Assessment (Pedro Sousa Silva) |
| 17 December | Thursday | 16:30 | Musical Project Management and Production — session 7 — Assessment — Assessment (Pedro Sousa Silva) |
| 17 December | Thursday | 18:30 | Music and Audiovisual Technologies — session 7 — Assessment — Assessment (Marco Conceição) |
| January 2027 |
| 18 January | Monday | 10:30 | Performance Practice — session 8 — session content to be confirmed (Ana Maria Liberal) |
| 18 January | Monday | 12:15 | Musical Creation in Context — session 8 — Experimentation and revision (Daniel Moreira) · 210 |
| 18 January | Monday | 15:15 | Thematic History of Music in Portugal — session 8 — the belle époque in Porto (Ana Maria Liberal) |
| 18 January | Monday | 17:00 | Compositional Practice — session 8 — The Anamorphoses cycle (Isabel Soveral, moderated by Dimitrios Andrikopoulos) |
| 19 January | Tuesday | 10:00 | Reading and Interpretation of Sources — session 8 — Organology and musical iconography (Pedro Sousa Silva) |
| 19 January | Tuesday | 11:45 | Advanced Research in Music — session 8 — from musicology to musical practice (Pedro Sousa Silva) |
| 19 January | Tuesday | 14:45 | Improvisational Practices — session 8 — Textures, timbre and extended techniques (António Augusto Aguiar) |
| 19 January | Tuesday | 16:30 | Musical Project Management and Production — session 8 — Case study (topic to be announced) (Jorge Salgado Correia, moderated by António Salgado) |
| 19 January | Tuesday | 18:30 | Music and Audiovisual Technologies — session 8 — Visuals for music (Pedro Santos, moderated by Pedro Sousa Silva) |
| February 2027 |
| 1 February | Monday | 10:30 | Musical Creation in Context — session 9 — Laboratory — plugged/unplugged (Nuno Pinto and Dimitrios Andrikopoulos) |
| 1 February | Monday | 12:15 | Musical Creation in Context — session 10 — Collaboration and co-creativity (António Salgado) |
| 1 February | Monday | 15:15 | Reading and Interpretation of Sources — session 9 — Essays and theoretical writings (Rui Penha) |
| 1 February | Monday | 17:00 | Reading and Interpretation of Sources — session 10 — The essay as a source (Rui Penha) · THSC |
| 2 February | Tuesday | 10:00 | Compositional Practice — session 9 — Ultra instrumentum: composition and hybridisation strategies in mixed music (Ângela da Ponte) |
| 2 February | Tuesday | 11:45 | Thematic History of Music in Portugal — session 9 — the Onze Glosas by Fernando Lopes-Graça (Miguel Borges Coelho, moderated by Daniel Moreira) · THSC |
| 2 February | Tuesday | 14:45 | Advanced Research in Music — session 9 — a brief history of artistic research (Rui Penha) |
| 2 February | Tuesday | 16:30 | Advanced Research in Music — session 10 — relational ontology (Rui Penha) |
| 3 February | Wednesday | 10:00 | Performance Practice — session 9 — Amplification (Marco Conceição) |
| 3 February | Wednesday | 11:45 | Performance Practice — session 10 — session content to be confirmed (António Salgado) |
| 3 February | Wednesday | 14:45 | Improvisational Practices — session 9 — Organ improvisation (Eugénio Amorim) |
| 3 February | Wednesday | 16:30 | Improvisational Practices — session 10 — Theoretical and practical models (António Augusto Aguiar) |
| 3 February | Wednesday | 18:30 | Music and Audiovisual Technologies — session 9 — MIC – Multi Interdisciplinary Consort (Paulo Perfeito and Pedro Santos, moderated by Marco Conceição) |
| 4 February | Thursday | 10:00 | Thematic History of Music in Portugal — session 10 — João Rodrigues Esteves (Eugénio Amorim) |
| 4 February | Thursday | 11:45 | Compositional Practice — session 10 — Creation Laboratory (Dimitrios Andrikopoulos) |
| 4 February | Thursday | 14:45 | Musical Project Management and Production — session 9 — Case study — micro/small scale (<€35k) (Daniel Moreira) |
| 4 February | Thursday | 16:30 | Musical Project Management and Production — session 10 — Case study — medium scale (€35k–€400k) (Hugo Soeiro Sanches) |
| 4 February | Thursday | 18:30 | Music and Audiovisual Technologies — session 10 — MIC – Multi Interdisciplinary Consort (Pedro Santos, moderated by Marco Conceição) |
| 15 February | Monday | 10:30 | Performance Practice — session 11 — session content to be confirmed (António Augusto Aguiar) |
| 15 February | Monday | 12:15 | Musical Creation in Context — session 11 — Authorship and collaboration in the studio (Mário Barreiros, moderated by António Augusto Aguiar) · THSC |
| 15 February | Monday | 15:15 | Musical Creation in Context — session 12 — Rehearsal and interpretive authority (Björn Schmelzer) |
| 15 February | Monday | 17:00 | Compositional Practice — session 11 — Characterisation within non-tonal language (Christopher Bochmann, moderated by Dimitrios Andrikopoulos) · THSC |
| 16 February | Tuesday | 10:00 | Advanced Research in Music — session 11 — relational ontology, practice in context (Rui Penha) |
| 16 February | Tuesday | 11:45 | Reading and Interpretation of Sources — session 11 — Digital sources and databases (Elsa De Luca) |
| 16 February | Tuesday | 14:45 | Improvisational Practices — session 11 — Presentation: improvisation experience during the pandemic (José Parra) |
| 16 February | Tuesday | 16:30 | Musical Project Management and Production — session 11 — Networks and institutional partnerships (Alexandre Santos, moderated by Pedro Sousa Silva) · THSC |
| 16 February | Tuesday | 18:30 | Music and Audiovisual Technologies — session 11 — Project supervision (Marco Conceição) |
| March 2027 |
| 1 March | Monday | 10:30 | Performance Practice — session 12 — session content to be confirmed (Luís Duarte, moderated by José Parra) · THSC |
| 1 March | Monday | 12:15 | Thematic History of Music in Portugal — session 11 — [ethnomusicological topic to be defined] (Eugénio Amorim) · THSC |
| 1 March | Monday | 15:15 | Thematic History of Music in Portugal — session 12 — Traditional music as a platform for other languages (Dimitrios Andrikopoulos) · THSC |
| 1 March | Monday | 17:00 | Compositional Practice — session 12 — Creation Laboratory (Dimitrios Andrikopoulos) |
| 2 March | Tuesday | 10:00 | Musical Creation in Context — session 13 — Experience as a programmer (Cesário Costa, moderated by Pedro Sousa Silva) |
| 2 March | Tuesday | 11:45 | Advanced Research in Music — session 12 — Case Study: Music at the Teatro de São João (Ana Maria Liberal) |
| 2 March | Tuesday | 14:45 | Improvisational Practices — session 12 — External stimuli (António Augusto Aguiar) |
| 2 March | Tuesday | 16:30 | Musical Project Management and Production — session 12 — Case study (Mário Alves, moderated by António Salgado) |
| 2 March | Tuesday | 18:30 | Music and Audiovisual Technologies — session 12 — Project supervision (Marco Conceição) |
| 15 March | Monday | 10:30 | Thematic History of Music in Portugal — session 13 — The serenade under the reign of D. Maria I (Pedro Sousa Silva) · THSC |
| 15 March | Monday | 12:15 | Reading and Interpretation of Sources — session 12 — Audiovisual sources and phonogram analysis (Marco Conceição) · THSC |
| 15 March | Monday | 15:15 | Reading and Interpretation of Sources — session 13 — Musical notation (Eugénio Amorim) |
| 15 March | Monday | 17:00 | Compositional Practice — session 13 — Collaborative practices (Fátima Fonte, moderated by Dimitrios Andrikopoulos) |
| 16 March | Tuesday | 10:00 | Musical Creation in Context — session 14 — Laboratory — 3 projects in 90 minutes (Daniel Moreira) · THSC |
| 16 March | Tuesday | 11:45 | Performance Practice — session 13 — session content to be confirmed (Daniel Moreira) · THSC |
| 16 March | Tuesday | 14:45 | Improvisational Practices — session 13 — Cyclical form / unfolding (António Augusto Aguiar) |
| 16 March | Tuesday | 16:30 | Musical Project Management and Production — session 13 — Case study — large scale (€400k–€1M) (Jorge Coelho, moderated by Rui Penha) · THSC |
| 16 March | Tuesday | 18:30 | Music and Audiovisual Technologies — session 13 — Project supervision (Marco Conceição) |
| April 2027 |
| 5 April | Monday | 10:30 | Thematic History of Music in Portugal — session 14 — experimental music in Porto's garages, ca. 1982 (Gustavo Costa, moderated by Pedro Sousa Silva) · THSC |
| 5 April | Monday | 12:15 | Advanced Research in Music — session 13 — Case Study: Frágua d'Amor, by Gil Vicente (Nuno Meireles, moderated by Hugo Soeiro Sanches) · THSC |
| 5 April | Monday | 15:15 | Advanced Research in Music — session 14 — Case Study: No Oculto Profuso, by Miguel Azguime (Miguel Azguime, moderated by Nuno Pinto) · THSC |
| 5 April | Monday | 17:00 | Compositional Practice — session 14 — Creation Laboratory (Dimitrios Andrikopoulos) |
| 6 April | Tuesday | 10:00 | Reading and Interpretation of Sources — session 14 — Musical palaeography (Pedro Sousa Silva) |
| 6 April | Tuesday | 11:45 | Performance Practice — session 14 — session content to be confirmed (Madalena Soveral, moderated by Eugénio Amorim) |
| 6 April | Tuesday | 14:45 | Improvisational Practices — session 14 — Development / variation / association / interruption (Eugénio Amorim) |
| 6 April | Tuesday | 16:30 | Musical Project Management and Production — session 14 — Communication and dissemination (Pedro Sousa Silva) |
| 6 April | Tuesday | 18:30 | Music and Audiovisual Technologies — session 14 — Work for clarinet and electronics (Nuno Pinto) |
| 19 April | Monday | 10:30 | Performance Practice — session 15 — session content to be confirmed (Bruno Pereira, moderated by António Augusto Aguiar) · THSC |
| 19 April | Monday | 12:15 | Musical Creation in Context — session 15 — Laboratory — one choir, thirteen conductors (Eugénio Amorim) |
| 19 April | Monday | 15:15 | Thematic History of Music in Portugal — session 15 — Portuguese Hip Hop (Capicua, moderated by Rui Penha) |
| 19 April | Monday | 17:00 | Compositional Practice — session 15 — Visual music (João Pedro Oliveira, moderated by Dimitrios Andrikopoulos) |
| 20 April | Tuesday | 10:00 | Reading and Interpretation of Sources — session 15 — The ephemeral as a source. (Rui Penha) |
| 20 April | Tuesday | 11:45 | Advanced Research in Music — session 15 — Pre-assessment of projects (Pedro Sousa Silva) |
| 20 April | Tuesday | 14:45 | Improvisational Practices — session 15 — Projects (António Augusto Aguiar) |
| 20 April | Tuesday | 16:30 | Musical Project Management and Production — session 15 — Dance and video (Cláudia Marisa, moderated by António Salgado) |
| 20 April | Tuesday | 18:30 | Music and Audiovisual Technologies — session 15 — Presentation of the “respigador” instrument (Rui Penha) |
| May 2027 |
| 3 May | Monday | 10:30 | Performance Practice — session 16 — session content to be confirmed (Pedro Sousa Silva) |
| 3 May | Monday | 12:15 | Advanced Research in Music — session 16 — Pre-assessment of projects (Rui Penha) |
| 3 May | Monday | 15:15 | Reading and Interpretation of Sources — session 16 — Technological sources (Dimitrios Andrikopoulos) |
| 3 May | Monday | 17:00 | Compositional Practice — session 16 — Composing the unstable: Transculturality, Emergent Form, and the Poetics of Absence (Dimitris Papageorgiou, moderated by Dimitrios Andrikopoulos) |
| 4 May | Tuesday | 10:00 | Musical Creation in Context — session 16 — Relationship with communities and agents (António Jorge Pacheco, moderated by António Augusto Aguiar) |
| 4 May | Tuesday | 11:45 | Thematic History of Music in Portugal — session 16 — Jazz in Portugal (António Augusto Aguiar) |
| 4 May | Tuesday | 14:45 | Improvisational Practices — session 16 — Projects (José Parra) |
| 4 May | Tuesday | 16:30 | Musical Project Management and Production — session 16 — Questions of perception (Inês Salselas, moderated by António Salgado and Pedro Sousa Silva) |
| 4 May | Tuesday | 18:30 | Music and Audiovisual Technologies — session 16 — Presenting the Marvão Residency (Bruno Pereira, moderated by Marco Conceição) |
| 5 May | Wednesday | 10:00 | Musical Creation in Context — session 17 — Materialisation and circulation — rights (Hugo Soeiro Sanches) |
| 5 May | Wednesday | 11:45 | Musical Creation in Context — session 18 — Final synthesis of the CU (Carlos Azevedo, moderated by António Augusto Aguiar) |
| 17 May | Monday | 10:30 | Performance Practice — session 17 — Assessment — Final assessment (António Augusto Aguiar, Eugénio Amorim and Marco Conceição) |
| 17 May | Monday | 12:15 | Performance Practice — session 18 — Assessment — Final assessment (António Augusto Aguiar, António Salgado and Eugénio Amorim) |
| 17 May | Monday | 15:00 | Performance Practice — session 19 — Assessment — Final assessment (Ana Maria Liberal, António Salgado and Marco Conceição) |
| 17 May | Monday | 16:45 | Performance Practice — session 20 — Assessment — Final assessment (Daniel Moreira, José Parra and Nuno Pinto) |
| 17 May | Monday | 18:30 | Music and Audiovisual Technologies — session 17 — Assessment — Final assessment (Dimitrios Andrikopoulos, Nuno Pinto and Rui Penha) |
| 18 May | Tuesday | 10:30 | Compositional Practice — session 17 — Assessment — Final assessment (Ângela da Ponte, Daniel Moreira and Eugénio Amorim) |
| 18 May | Tuesday | 12:15 | Compositional Practice — session 18 — Assessment — Final assessment (Ângela da Ponte, Daniel Moreira and Eugénio Amorim) |
| 18 May | Tuesday | 15:00 | Compositional Practice — session 19 — Assessment — Final assessment (Ângela da Ponte, Daniel Moreira and Eugénio Amorim) |
| 18 May | Tuesday | 16:45 | Compositional Practice — session 20 — Assessment — Final assessment (Ângela da Ponte, Daniel Moreira and Eugénio Amorim) |
| 18 May | Tuesday | 18:30 | Music and Audiovisual Technologies — session 18 — Assessment — Final assessment (Dimitrios Andrikopoulos, Pedro Sousa Silva and Rui Penha) |
| 19 May | Wednesday | 10:30 | Improvisational Practices — session 17 — Assessment — Final assessment (Eugénio Amorim, José Parra and Pedro Sousa Silva) |
| 19 May | Wednesday | 12:15 | Improvisational Practices — session 18 — Assessment — Final assessment (Eugénio Amorim, José Parra and Pedro Sousa Silva) |
| 19 May | Wednesday | 15:00 | Improvisational Practices — session 19 — Assessment — Final assessment (Eugénio Amorim, José Parra and Pedro Sousa Silva) |
| 19 May | Wednesday | 16:45 | Improvisational Practices — session 20 — Assessment — Final assessment (Eugénio Amorim, José Parra and Pedro Sousa Silva) |
| 19 May | Wednesday | 18:30 | Music and Audiovisual Technologies — session 19 — Assessment — Final assessment (Dimitrios Andrikopoulos, Nuno Pinto and Pedro Sousa Silva) |
| 20 May | Thursday | 10:30 | Musical Project Management and Production — session 17 — Assessment — Final assessment (António Salgado, Daniel Moreira and Rui Penha) |
| 20 May | Thursday | 12:15 | Musical Project Management and Production — session 18 — Assessment — Final assessment (António Salgado, Hugo Soeiro Sanches and Rui Penha) |
| 20 May | Thursday | 15:00 | Musical Project Management and Production — session 19 — Assessment — Final assessment (António Salgado, Daniel Moreira and Hugo Soeiro Sanches) |
| 20 May | Thursday | 16:45 | Musical Project Management and Production — session 20 — Assessment — Final assessment (Daniel Moreira, Hugo Soeiro Sanches and Rui Penha) |
| 20 May | Thursday | 18:30 | Music and Audiovisual Technologies — session 20 — Assessment — Final assessment (Nuno Pinto, Pedro Sousa Silva and Rui Penha) |
| 21 May | Friday | 10:30 | Reading and Interpretation of Sources — session 17 — Assessment (Dimitrios Andrikopoulos, Eugénio Amorim and Rui Penha) |
| 21 May | Friday | 12:15 | Reading and Interpretation of Sources — session 18 — Assessment (Hugo Soeiro Sanches, José Parra and Marco Conceição) |
| 21 May | Friday | 15:00 | Reading and Interpretation of Sources — session 19 — Assessment (Dimitrios Andrikopoulos, Eugénio Amorim and Rui Penha) |
| 21 May | Friday | 16:45 | Reading and Interpretation of Sources — session 20 — Assessment (Hugo Soeiro Sanches, José Parra and Marco Conceição) |
| 24 May | Monday | 10:30 | Advanced Research in Music — session 17 — Assessment (Ana Maria Liberal, Nuno Pinto and Pedro Sousa Silva) |
| 24 May | Monday | 12:15 | Advanced Research in Music — session 18 — Assessment (Ana Maria Liberal, Hugo Soeiro Sanches and Pedro Sousa Silva) |
| 24 May | Monday | 15:00 | Advanced Research in Music — session 19 — Assessment (Hugo Soeiro Sanches, Nuno Pinto and Pedro Sousa Silva) |
| 24 May | Monday | 16:45 | Advanced Research in Music — session 20 — Assessment (Ana Maria Liberal, Hugo Soeiro Sanches and Nuno Pinto) |
| 25 May | Tuesday | 10:30 | Thematic History of Music in Portugal — session 17 — Assessment (Ana Maria Liberal, Pedro Sousa Silva and Rui Penha) |
| 25 May | Tuesday | 12:15 | Thematic History of Music in Portugal — session 18 — Assessment (António Augusto Aguiar, Daniel Moreira and Dimitrios Andrikopoulos) |
| 25 May | Tuesday | 15:00 | Thematic History of Music in Portugal — session 19 — Assessment (Ana Maria Liberal, Pedro Sousa Silva and Rui Penha) |
| 25 May | Tuesday | 16:45 | Thematic History of Music in Portugal — session 20 — Assessment (António Augusto Aguiar, Daniel Moreira and Dimitrios Andrikopoulos) |
| 26 May | Wednesday | 10:30 | Musical Creation in Context — session 19 — General rehearsal (Ana Maria Liberal and Ângela da Ponte) |
| 26 May | Wednesday | 12:15 | Musical Creation in Context — session 20 — General rehearsal (António Salgado and Daniel Moreira) |
| 26 May | Wednesday | 15:00 | Musical Creation in Context — session 21 — Assessment (Daniel Moreira, Dimitrios Andrikopoulos and Pedro Sousa Silva) |
| 26 May | Wednesday | 16:45 | Musical Creation in Context — session 22 — Assessment (Daniel Moreira, Eugénio Amorim and Pedro Sousa Silva) |
| 28 May | Friday | 10:30 | Musical Creation in Context — session 23 — General rehearsal (Dimitrios Andrikopoulos and Eugénio Amorim) |
| 28 May | Friday | 12:15 | Musical Creation in Context — session 24 — General rehearsal (Hugo Soeiro Sanches and José Parra) |
| 28 May | Friday | 15:00 | Musical Creation in Context — session 25 — Assessment (António Salgado, Dimitrios Andrikopoulos and Eugénio Amorim) |
| 28 May | Friday | 16:45 | Musical Creation in Context — session 26 — Assessment (Hugo Soeiro Sanches, Nuno Pinto and Pedro Sousa Silva) |
| 29 May | Saturday | 10:30 | Musical Creation in Context — session 27 — General rehearsal (Marco Conceição and Nuno Pinto) |
| 29 May | Saturday | 12:15 | Musical Creation in Context — session 28 — General rehearsal (Pedro Sousa Silva and Rui Penha) |
| 29 May | Saturday | 15:00 | Musical Creation in Context — session 29 — Assessment (Daniel Moreira, Dimitrios Andrikopoulos and Eugénio Amorim) |
| 29 May | Saturday | 16:45 | Musical Creation in Context — session 30 — Assessment (António Salgado, Hugo Soeiro Sanches and Nuno Pinto) |
